Do Over
One of the great things about still life photography is the ability to take a Mulligan. In golf, a Mulligan means you can redo a shot and not take the penalty stroke for having done so. Not only can you redo a still life photograph at a later time, but you can also leave a photograph (or an element of a photograph) set up for days as you think about or work on it. I have even bought a 2-buck plastic drop cloth at a Home Depot and covered a set with it to eliminate dust contamination so I could have the time to think about my composition and what I was going to do next!
Lastly, because it’s a creative endeavor, a still life photograph often can’t be accomplished when you are forced to create it within the 8 to 10-hour confines of a tutorial video. That’s exactly what happened with a photograph I showed you in a previous tutorial called “Splash” and for this tutorial I have decided to go back, take a “Mulligan”, and do it over. But, that’s just one of the beauties of working on a still life photograph!
Set Shop Tutorial Checklist
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- Manfrotto Super Clamp
- A Clamps: Classic metal “A” clamps with orange grips.
- Black/White Showcards: These Black/White showcards are 30″x40″ and are perfect for masks, gobos or reflectors. They also make good backgrounds and cue cards.
- Gaffers Tape: White Gaffer’s / Camera Tape – Small 1″ x 50 yd. All of our professional gaffer’s tape comes from Shuretape, formerly known as Permacel.
- Set Shop Tough Lux: Tough Lux has been the industry standard for years. It is a neutral, heat stable diffusion material. It offers the perfect level of diffusion for most applications.
- Manfrotto Grip Stand