A Shot of Scotch

Produced by 

This tutorial illustrates a technique for creating a way to use lighting transmitted through a glass of scotch liquor (or any other transparent colored liquid). It also deals with overcoming lighting problems that arise during any studio shoot, how to identify what the problem is, and how to correct it. It also shows how to make a fixture to suspend and hold a bottle exactly where the photographer wishes to place it.

With a little imagination, fixtures of this type can also be used to exactly position other products or props.

Tutorial Supplies Checklist

  • Ice Cubes and Frost Effects
    Carefully selected best quality products created by the best Prop Maker for Ice Effects. Acrylic and Silicone Ice Cubes, Frost Effects, and Instant Ice.

    Perfect for water droplet effects. Use straight or mix with water to prolong water drop effects.

    Nontoxic putty-like material behaves a lot like wax. It does not melt or leave any waxy residue and it can be reused over and over again. Great for modeling and model making and temporary adhesive.

    Show card
    Due to the fragile nature of most showcards a 5 card minimum (mix and match allowed) is required when ordering for Shipping. This ensures that your cards can be packed adequately and make it to your location in the best shape possible. For local pick up or delivery any quantity is accepted.

    Toughlux 60"x15' Roll Diffusion
    Tough lux has been an industry standard for years. It is a neutral, heat stable diffusion material. It offers the perfect level of diffusion for most applications.

    Clamps and Grip heads
    Set shop carries a wide assortment of clamps and gripheads like A Clamps and C Clamps

Steve Sint

Digital Still Life Photography: Art, Business, and Style

Steve Sint has spent a great deal of his life walking down aisles backwards. Over a 40 year career, he has photographed over 4,000 weddings, taken over 2 million photographs, and shot over 1 million portraits for his own studio and others in the New York metropolitan area. As a commercial photographer he has photographed thousands of executives and still life subjects. His client list includes, or has included, the American Broadcasting Company, Time Inc., Hearst Publications, Yves St. Laurent, AT&T, NCR, National Semiconductor, Miller Freeman Publishing, MacGroupUS, and Hachette-Filipacchi Magazines. His photographs have appeared on the covers of over 60 national magazines including LIFE, Omni, Stereo Review, and Modern Photography.

As a columnist and contributor his words and photographs have also appeared in Studio Photography, Lens Magazine, Modern Photography, Popular Photography, View Camera Magazine, Railroad Model Craftsman, and he has authored 7 books on photography. In his most recently published book, Digital Wedding Photography: Art, Business, and Style, he shares his experience with his readers in the breezy, knowledgeable, and accessible style his writing is known for. At this point in his career he limits his assignments to 50 per year for a select New York clientele, photographs and writes about things he enjoys, and still finds time to lecture on professional photography, create and produce tutorial videos, conduct workshops on wedding, portrait, and still life photography, while still finding time to work on his model railroad.

His newest book, Digital Still Life Photography: Art, Business, and Style, was released in January 2013.